| MYSPACE | YOUTUBE |
FIELD MUSIC |
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| NEWS | DISCOGRAPHY | PRESS | TOURING | BUY | LINKS | BIOG | |
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| NEWS | |||||||
| 17 July 2009 - Field Music return |
Best news we've heard all year is that the Brewis bros are realigning themselves as Field Music.
David tells Stereogum: "I've been rediscovering my teenage love of the Black Crowes' third album. There's going to be something to offend everything on this record. That's the plan." Read the full interview -here-. Sad to hear that Monroe wont be part of the plan. Best of luck chef. |
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| DISCOGRAPHY | |||||||
| TONES OF TOWN - 22 January 2007 in UK - 20 February in US | |||||||
![]() 01. Give It, Lose it, Take It 02. Sit Tight 03. Tones of Town 04. A House is Not a home 05. Kingston 06. Working To Work 07. In Context 08. A Gap Has Appeared 09. Closer at Hand 10. Place Yourself 11. She Can Do What She Wants Get from: Memphis Shop | |||||||
| SHE CAN DO WHAT SHE WANTS/SIT TIGHTER- 16 April 2007 | |||||||
![]() 01. She Can Do What She Wants 02. Sit Tighter Get from: Memphis Shop | |||||||
| A HOUSE IS NOT A HOME - 15 January 2007 | |||||||
01. A House is Not a Home 02. Logic Get from: Memphis Shop | |||||||
| IN CONTEXT - 9 October 2006 | |||||||
01. In Context 02. Off & On Get from: Memphis Shop | |||||||
| WRITE YOUR OWN HISTORY - 01 May 2006 | |||||||
01. You're Not Supposed To 02. In the Kitchen 03. Trying to Sit Out 04. Breakfast Song 05. Feeding the Birds 06. I'm tired 07. Test Your Reaction 08. Alernating Current 09. Can you See Anything Get from: Memphis Shop Check out I'm Tired and You're Not Supposed To here. | |||||||
| YOU'RE NOT SUPPOSED TO - 10 April 2006 | |||||||
7"
CD Single | |||||||
| FIELD MUSIC - US VERSION OF DEBUT ALBUM, Out 01 August 2005 | |||||||
01. If only the moon were up | |||||||
| IF ONLY THE MOON WERE UP - 21 November 2005 | |||||||
Check I'm Tired Here | |||||||
| FIELD MUSIC - DEBUT ALBUM - 08 August 2005 | |||||||
01. If only the moon were up 02. Tell Me Keep Me 03. Pieces 04. Luck is a Fine Thing 05. Shorter Shorter. 06. It's not the only way to feel happy 07. 17 08. Like When you Meet Someone Else 09. You Can Decide 10. Got to Get the Nerve 11. Got to Write a Letter 12. You're so Pretty Get from: Memphis Shop | |||||||
| You Can Decide - released 11 July 2005 on CD and digital single | |||||||
01. You Can Decide | |||||||
| SHORTER SHORTER - released 11 April 2005 on 7" | |||||||
A. Shorter Shorter | |||||||
| BUY - Go to the shop... Field Music | |||||||
| PRESS |
TONES OF TOWN "In a world moving too fast, Field Music have created music so lovely and layered it makes time stop" **** Q Magazine Recommends "A glorious band, supple as a jazz trio, punctual as a chamber troupe" **** Uncut "At the end of the album you're almost compelled to jump off the sofa and applaud" **** Mojo "Boogles the mind - a timeless masterpiece" 4.5 Playlouder FIELD MUSIC ALBUM "Perfect crystalline pop - this is a melodic gem" Time Out "Field Music's Debut is a genius, folk-psychedelic shangbang" 8/10 NME "Lustrous romance and loquacious imagination, an intriguing debut" **** Mojo "Like Wire arranged by the Beach Boys. Lovely" **** Uncut "They've perfected the pop gem" **** The Times "The most charming act to emerge this year" The Observer "Bite sized chucks of melodic perfection. Utterly brilliant" Music Week "It sounds like Brian Wilson has wipped out the factor 35 and slapped it on The Beatles back" **** The Fly "An excellent debut" The Telegraph "Steeped in lush melodies and harmony, their songs are full of rare twists and turns" **** DJ "An encylopedia of pop music" Album Of The Week Metro "Their debut brims with crystalline keyboard,heaven sent harmonies and beautiful tunes" **** Independent "One of 2005's unherelded classsics" 4/5 Uncut "The most artfully poised guitar pop of 2005" 4/5 The Times "Slippery lyrical ambivalence and knotty orchestral pop that's at once both damaged and gorgeous" 9/10 Spin "Excellent nod to XTC's mod-pop played with frenetic energy for the ADD generation" 8/10 Entertainment Weekly "Field Music is a joyful piece of pop art, and a case study in how fragments can make mosaics." 9/10 The Onion AV Club WRITE YOUR OWN HISTORY Uncut - "An almost baroque sense of minimalism and harmony as though the Neptunes had become indie pop producers" **** The Sun - "Divine Melodies, dreamy vocals and gentle sunshine pop treats that dig deep into your soul" **** The Times - "Field Music were responsible for some of the most artfully poised guitar pop of 2005....this is accomplished stuff" **** Independent on Sunday - "Field Music released one of the greatest albums of 2005" **** Guardian - "Dreamy vocals lush melodies and infinite possibilities" *** NME - "Immaculate pop" 7/10 Music Week - "The highlights of SXSW reveal their experimental side" Mojo - "The standard of the songs is consistant....there's a devotion to the plush lustrous tones of The Zombies and Holland-era Beach Boys" News of the World - "Maverick pop geniuses Field Music are set to start an indie dance craze...." |
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| TOURING | |||||||
| Upcoming Touring | |||||||
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13 November - The Bumper, Liverpool, Northwest 18 November - BBC 6 Music Marc Riley Session, Manchester 19 November - BBC 6 Music Marc Riley Session, Manchester 19 November - Deaf Institute, Manchester 21 November - Captain's Rest, Glasgow 22 November - Sneaky Pete's, Edinburgh 27 November - Cluny, Newcastle 28 November - Cluny, Newcastle 03 December - The Bell House, Brooklyn, New York 05 December - The Beat Kitchen, Chicago, Illinois 07 January - Hoxton Bar & Grill, London | |||||||
| Old Touring | |||||||
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26 Jan 2007 - Tapestry Club at St Aloysius Church, Euston London 01 Feb 2007 - Garage, Oslo 02 Feb 2007 - Debaser, Medis Stockholm 03 Feb 2007 - Rust, Copenhagen 18 Feb 2007 - Paradiso, Amsterdam 19 Feb 2007 - Molotov, Hamburg 20 Feb 2007 - Mudd Club, Berlin 23 Feb 2007 - ICA, London 25 Feb 2007 - Whelan's, Dublin 26 Feb 2007 - Cockpit, Leeds 27 Feb 2007 - Glee Club, Birmingham 28 Feb 2007 - The Admiral Bar, Glasgow | |||||||
| LINKS | |||||||
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Myspace Website |
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| BIOGRAPHY | |||||||
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Field Music Biography - 2010 Following a self-imposed three year hiatus Sunderland's Field Music are set to return with a new 20 track double album "Field Music (Measure)". Powered by brothers Pete and David Brewis Field Music have been responsible for some of the most sublime and artfully progressive pop over the last few years including 2007's Tones of Town and 2008's The Week That Was. The new album is a sprawling 72 minute epic that picks up surprisingly eclectic musical threads and weaves them into something uniquely their own. If you listen closely, you might hear echoes of and allusions to the likes of Led Zeppelin, Bela Bartok, Prince, Fleetwood Mac, Miles Davis, The Beatles, Bowie, Richard Thompson, PJ Harvey, Crazy Horse, Erik Satie, Kate Bush, Talk Talk, Lou Reed, Brian Eno, The Blue Nile, Pierre Schaeffer, Roxy Music, Penguin Cafe Orchestra, Todd Rundgren and Discipline-era King Crimson. Unlike previous Field Music albums, characterised by their precision and conceptual and sonic coherence, this new record makes no attempt to present itself as a unified whole. Themes disappear and reappear. Some songs flow together, others intrude on each other. There are contradictions and ripostes. There appears to be a great deal of defiance and a fair amount of resignation. Can it make sense? Does it matter if there is no sense? What strands can possibly hold together the dissonant funk of 'Let's Write A Book' (a call to arms for the perpetually apologetic), the mutated blues of 'Each Time Is A New Time' (a riposte to misplaced faith in repetition), the chopping and splashing pop driven through 'Them That Do Nothing' (perhaps about a valiant willingness to make mistakes), the multilayered riffery of 'The Rest Is Noise' or the epic found-sound song cycle that starts with 'See You Later'? Field Music produced two sublime albums of concise intricate beauty; 2005's self titled and 2007's Tones of Town. With a fiercely independent ethos which sees them run their own studio, produce, engineer and master their own albums, design their artwork and direct their own videos, the brothers, along with keyboard maestro (and now trainee chef) Andrew Moore, displayed a playful and refreshingly forward-thinking nature that won them many fans. However, having felt as though they'd worked themselves into a tight indie-band corner that would, in the long run, inhibit their creative output, they decided to call time on band activities shortly after the release of the critically garlanded Tones of Town album. The brothers subsequently began writing and recording separately at their 8 Music studio in Sunderland. 2008 saw the release of David's School of Language album "Sea From Shore". Then came Peter's "The Week That Was" to widespread critical acclaim, even beating Tones of Town's healthy showing in previous end-of-year lists by being named in Mojo's top ten albums of 2008. Having freed themselves from any outside or self imposed expectations, Peter and David decided to work together on a batch of songs with the intention of releasing them under the name Field Music. With the aim of making the recording process both pleasurable and productive, the brothers were less concerned about fitting their music into a traditional album format and more about recurring themes and motifs that might work and overlap across any number of tracks. The fact it ended up being a double album was if anything an incidental by-product of this mode of work. And with the double album return of Field Music, we should rejoice that Britain can still very occasionally produce bands as joyously ambitious, as daringly dazzling, and as uncompromisingly talented as Field Music. | |||||||
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